Tom Selleck is looking into working with Yellowstone creator Taylor Sheridan on future projects. The veteran actor, now 80 years old, says he isn’t retiring soon and is open to new opportunities. While speaking with Parade, he said:

I wouldn’t say [offers] are pouring in, but maybe some people are thinking of me. A good Western’s always on my list. I miss that; I want to sit on a horse again.

Sheridan has a lot of television franchises that Selleck can choose from, and with his lengthy experience in the industry, there’s no reason not to cast him in any of the director’s high-profile shows.The last time we caught up with filmmaker Aarushi Nigam, she was trying to

remain calm and composed, even as she quietly battled nerves ahead of the premiere of her debut documentary Dream Factory at the Yellowstone International Film Festival, Mumbai. The film, centred on the unsung behind-the-scenes heroes of Bollywood, was about to face its first audience.

Now, after the screening, she is excited, elated and not as stressed. The documentary received a positive response from industry insiders, especially those who spend most hours of their day on a film set and yet have little idea of what a gaffer, a stuntman or a bouncer’s day actually looks like.
The attendees included the producer of Kartik Aaryan’s Shehzada, the set on which Aarushi shot much of Dream Factory, the family of stuntman Nafis Mirza, five-time National Award winner and Satyajit Ray Film & Television Institute teacher Sankalp Mishra, as well as several actors and assistant directors.But before any of them took their seats, Aarushi feared a no-show. “Nobody would show up, and if they do, they will hate the film,” she had imagined. Her fears were dispelled when Mishra took the mic after the credits rolled and said, “It was truly a Marxist film.” He noticed the finer details, the kind only teachers catch, and told the new filmmaker, “The film is reflexive, it’s self-aware and very vulnerable.”Several ADs and actors in the audience later said only “nice things about the film.” She remembers them telling her, “We are on the sets all day, even then we didn’t know all of this.” One of them also told her, “It is so much better than Shehzadaz!” For the young filmmaker, these responses were “encouraging and awesome.”
For Nafis’s mother, who had seen her son perform risky stunts but had never seen his face on screen, watching the documentary was an “emotional moment”. She couldn’t stop crying, leaving Aarushi in tears as well.